Date: Tuesday, Oct. 18, 2011, 6:45 PM Reception,
7:30 PM Talk
Place: Boston College
Room: Fulton Hall, Rm. 511
Featured Guests: Sean Olive, Director of Acoustic Research for Harman Int'l
PRESENTS
Some New Evidence that Teenagers May
Prefer Accurate Sound Reproduction
Sound quality in mainstream music recording and reproduction
is all but dead according to recent media reports. Record producers are
squashing the life and dynamics out of recorded music. On the playback side,
these recordings are increasingly auditioned over acoustically compromised
laptop computers, ear buds, and portable media player docking stations.
The general decline in the quality of recorded and reproduced sound has
led the New York Times to report that younger audio consumers have become
either indifferent to sound quality, or worse, they may actually prefer
bad sound to good sound.
To explore this issue, the author recently conducted
two listening experiments on a group of high school students to determine
their sound quality preferences for a) lossy versus lossless music file
formats, and b) different qualities of loudspeakers. When given the opportunity
to directly compare different qualities of sound reproduction, the teenagers
preferred the most accurate, higher quality options.
Other topics to be discussed include some research related
to cross-cultural sound quality preferences, and the efficacy of commercial
room correction products. Finally, the author will demonstrate a new training
software application "How to Listen" aimed at teaching listeners
to become better critical listeners.
Sean Olive is currently directs the Corporate research
group, and oversees the subjective evaluation of new audio products. Prior
to 1993, he was a research scientist at the National Research Council of
Canada where his research focused on the perception and measurement of loudspeakers,
listening rooms, and microphones. Sean received Bachelors in Music from
the University of Toronto, and his Masters and Ph.D. degrees in Sound Recording
from McGill University in Montreal. His Ph.D. research was on acoustical
interactions between loudspeakers and rooms, and listener adaptation to
room acoustics. He infrequently writes about the science of audio on his
blog, "Audio Musings" at www.seanolive.com
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